Indian sarees online shop right now: Women traditionally wore various types of regional handloom saris made of silk, cotton, ikat, block-print, embroidery and tie-dye textiles. Most sought after brocade silk sarees are Banarasi, Kanchipuram, Gadwal, Paithani, Mysore, Uppada, Bhagalpuri, Balchuri, Maheshwari, Chanderi, Mekhela, Ghicha, Narayan pet and Eri etc. Years later with the advent of foreigners, the rich Indian women started asking the artisans to use expensive stones, gold threads to make exclusive saris for the strata, which could make them stand out clearly. But sari did remain unbiased as a garment and was adapted by each stratum, in their own way. That was the beauty of the garment, that still remains. Discover even more details at https://silkpetalss.com/product-category/sarees/.
Kanjeevaram silk saris originate from Kanchipuram, a temple town in Tamil Nadu, and use a special weaving technique that makes the sari last for generations. The saris have contrasting bright colours with designs of the border and the pallu being different from the body of the sari. The sari has golden weaves and bold, colourful motifs like flowers, peacocks and elephants, says 71-year-old Deepa Sharma from Delhi, who owns Arankri, a 30-year-old establishment that curates handcrafted saris. The Baluchari saris from West Bengal incorporate designs based on mythological stories from the great Indian epics, the Ramayana and the Mahabharata.
India remains one of the last great handicraft cultures. It’s a powerhouse for dyeing, printing, and silk weaving, all represented in at least one of the estimated 30 regional varieties of saris. In the Ganges riverfront city of Varanasi, weavers bend over old-school wooden looms to make Banarasi silk ones, usually in bright red, trimmed with metallic zari thread, and prized by brides. In tropical Kerala, predominantly white sett mundu saris reflect styles popular before 19th-century industrialization brought the colorful aniline dyes—and Crayola-box brights—spotted around the subcontinent today.
The stitched fabric was deemed unclean in ancient times. The one-piece saree was considered auspicious and was (and still is) worn for significant Hindu occasions such as religious ceremonies, marriages, festivals, childbirth rites, and so on. The saree draping style evolved from the concept that the navel and belly should be left uncovered since they were regarded as the life source (as they connect to the umbilical cord). This is documented in the Natya Shastra, a 200-year-old South Indian scripture. With the mention of Rani of Jhansi wearing a sari and fighting the atrocities of the colonizers, one can only wonder about the feeling of empowerment while wearing a sari that has been bestowed with such a heroic legacy.
Silk Petalss was born from a career Investment Professional’s love for the rich heritage of Indian handcrafted textiles and artefacts. Her admiration for the beautiful heritage weaves and products saw her travelling widely through interior villages and towns of India, interacting with the weaving community and understanding their perspective and concerns. Awareness about their issues, specifically post Covid19, the need to protect the community and our rich heritage led to Silk Petalss being created. See even more information on https://silkpetalss.com/.
After moving to Hong Kong, I started wearing the saris that my mother had given me as a part of my wedding trousseau. Hand-woven saris from different parts of India – the brocaded Banarasi from Varanasi, the pure silk Kanjeevarams from Tamil Nadu, the Paithani from Maharashtra and so many more. The sari gives me a sense of belonging, says Bangalore-based perfumer Ahalya Matthan, who in 2016 founded The Registry of Sarees, a research and study centre for handspun and handwoven saris in India.