The ascent of a Pakistani actor : New York’s Franklin Livingston: Most actors go to either acting schools or study literature and some form of arts to become an artist. Some analysts have argued that the drama school studies that only focus on the craft of acting through body and mind make actors disconnect from the real world and what is required to be an effective member of society. That’s why in addition to their acting training, actors must also be familiar with disciplines such as science, politics, psychology, and sociology. Find additional info at Franklin Livingston.
Franklin Livingston reveals a stunning confession about his relocation to New York City, where he continues to witness several aspiring actors who are filled with the yearning to be seen on screen. It didn’t matter if it was a short film or a top Hollywood film. Although, most of them desire to feature in Hollywood films, but don’t get a chance to act in an ultra low budget project. This reason is causing some of them to develop mental health conditions for cloning on to such a wait.
Franklin has always been in love with cinema and has been making films since the age of 16. He has evolved as technology and style have progressed over the years, and he deeply enjoys the craft in every aspect. Despite excruciating long hours of creative thinking, planning, and executing, and typically being the first to and the last person to walk out of the film sets after sleepless nights, Franklin Livingston never falls out of love with expressing human emotion and capturing stories that need to be told. He believes that a good story must constantly be educating, entertaining and engaging. And that’s what he aims for in his productions.
Like someone that will put the needed effort in and behave like an actor both in the audition room and on the film set. Small acts of respect like turning the phone off before entering the audition room used to be a big indication of that, which is now lost in the “zoom room”. Then there is the emotional connection that you simply cannot make with your scene partner over zoom. So when we show up on set, it can produce some very dysfunctional results. Sometimes you will have very underprepared or undertrained actors that think all they need to do is recite their lines perfectly, but they have completely forgotten how to make that emotional, mental, physical, or spiritual connection with their scene partner(s) and get on moment-to-moment work to re-create a scene on set that they read on a piece of paper.
None of us are able to achieve success without some help along the way. Is there a particular person who you are grateful towards who helped get you to where you are? Can you share a story about that? Al Qually has been a tremendous help on my journey in New York. When I first arrived in the Big Apple, I was angry and depressed because I had so many negative experiences. I believe that it was my growing and learning phase, but I met Al in 2016 who collaborated with me on numerous projects. He always went out of his way to help me with scripts, filmmaking, and much more without any expectations or hidden agendas. We have shot several short films in and outside of his apartment in Queens (including “Down-Range”) where he would be making coffee and running around trying to make sure all actors and crew were taken care of. Since our initial encounter and through Al’s network, I have met many great professionals who have helped me become a better human being and a compelling storyteller.
Even still, most of these actors tend to be from India or other southeast Asian countries and not from Pakistan. Although Pakistan and India share some commonalities, their culture, language, human behaviors, and social etiquette make them distinctly different nations, which Hollywood has yet to present in its productions. This difference is not in contrast to those that the British and Americans have in terms of their anthropology. Countless people of color in the United States and a significant community of Pakistani immigrants in the United States have waited long to see themselves in Hollywood movies and television shows with a true representation. Franklin Livingston is ready to face this challenge, and that day is not far away when Franklin will tell stories about Pakistani Americans through his inimitable work in films and television.
Can you share a story about the funniest mistake you made when you were first starting? Can you tell us what lesson you learned from that? I was in a meeting with my first TV commercial agents. They asked me if I was working on getting rid of my accent. They said that getting work without having a native sounding American vernacular is impossible. I laughed to myself and replied bluntly that I don’t believe I could ever eliminate my accent and that local people tend to search for a foreign accent when they need a medical specialist or a cosmetic surgeon in Beverly Hills. I think it’s only the Media, the formula, and the system that believes that actors shouldn’t have their native accents if they wanted to play leads in the local projects. Upon seeing their facial expressions, I realized my honesty was a mistake.
Taking possibilities to the next level: Recent updates on Franklin reveal that he started another company in the state of Connecticut, Oculus Films LLC. The company will also serve as an academy that empathizes with the aspiring actors’ busy schedules. Oculus is a unique acting technique that Franklin has developed. Unlike other training techniques that make American actors feel drained, exhausted, depressed, and in some cases become mentally ill, Oculus Acting Technique makes actors enjoy their presence with other actors and crew members. It also helps the actors create content in the moment in the light of the screenwriter’s content, develop a sincere connection with community members and leave the set happy, rejuvenated, and relaxed having a sense of being heard, respected, and encouraged.